
Jesse grew up in New York with his whole family performing together. His family would do stage productions, rehearsing for two months each Fall for what would become the year’s big musical every November. Working in Community Theater opened Jesse’s eyes to the joy of singing live and the discipline of acting.
Josh continued to perform at events for Foster, but he also began to concentrate on attaining a college education. Soon, Josh received news that Carnegie Mellon's prestigious musical theater department accepted him. When Foster booked Groban for yet another music industry party, "that was the beginning of the conflict," says Josh.
Josh Groban has a story as compelling and real as you are likely to hear in the world of pop or classical music. Discovered by world-renowned producer/writer/arranger David Foster, Josh's journey to his label home, the Foster/Warner Bros. joint venture - 143 Records - reads like the stuff of show business legend.
As both a member of *NSYNC and a solo artist, Southern superstar Justin Timberlake has played a major role in the teen pop explosion of the '90s and 2000s. Like similar teen pop favorites -- who have included the Backstreet Boys, C-Note, Christina Aguilera, Hanson, the Spice Girls, and Britney Spears -- Timberlake usually doesn't get much respect from rock critics (who, in many cases, tend to be very alternative-minded and anti-commercialistic).

Jive released Celebrity, *NSYNC's third album, in 2001, and after that, Timberlake started recording as a solo artist. The singer had performed live as a solo artist before *NSYNC, but it wasn't until the early 2000s that he actually recorded an album as a solo act. Justified, Timberlake's first solo album, was released on Jive in November 2002.

Timberlake continued his success by appearing on the Black Eyed Peas smash hit "Where Is the Love?" and in the halftime show at Super Bowl XXXVIII, where he pulled off part of co-performer Janet Jackson's top in the now infamous "wardrobe malfunction" incident. That event, however, didn't stop him from winning two Grammys that year, and though he stayed out of the studio for a few years in order to concentrate on acting opportunities, Timberlake returned to the music world in 2006 with his Prince-inspired FutureSex/LoveSounds, which featured production work from Timbaland and Rick Rubin, and was followed by a brief club tour.

Timberlake's first solo album, was released on Jive in November 2002. "Like I Love You," the album's first single, became a major hit and was followed by a second single, "Cry Me a River" (not to be confused with the melancholy Arthur Hamilton standard that was a hit for the late jazz singer/actress Julie London in 1955). Now a bona fide star -- the album had reached number two on the Billboard 200 -- and heartthrob to millions of girls, Timberlake continued his success by appearing on the Black Eyed Peas smash hit "Where Is the Love?" and in the halftime show at Super Bowl XXXVIII, where he pulled off part of co-performer Janet Jackson's top in the now infamous "wardrobe malfunction" incident.
Timberlake is part of the more modern school of teen pop, which is mindful of dance-pop, urban contemporary, and hip-hop and got started with the rise of New Kids on the Block, Debbie Gibson, and Tiffany in the late '80s. New Kids, in fact, were the male group that paved the way for NSYNC as well as the Backstreet Boys and Take That (who were meant to be a British equivalent of New Kids). And just as Tiger Beat (the bible of bubblegum) was obsessed with the New Kids in the late '80s, it would become equally obsessed with NSYNC and the Backstreet Boys in the '90s.
Like Spears (who Timberlake became romantically involved with), Aguilera, and NSYNC's JC Chasez, Timberlake got his start on the Disney Channel's '90s version of The Mickey Mouse Club. Timberlake and Chasez were on The Mickey Mouse Club simultaneously in their pre-NSYNC days, and they kept working together when NSYNC was formed.
As both a member of NSYNC and a solo artist, Southern superstar Justin Timberlake has played a major role in the teen pop explosion of the '90s and 2000s. Like similar teen pop favorites -- who have included the Backstreet Boys, C-Note, Christina Aguilera, Hanson, the Spice Girls, and Britney Spears -- Timberlake usually doesn't get much respect from rock critics (who, in many cases, tend to be very alternative-minded and anti-commercialistic).
Marc Cohn learned to play guitar and was dabbling with the craft of songwriting since the cover band played everything but the kind of songs he loved so dearly. At Oberlin, Cohn taught himself to play the piano and a lasting bond formed. Soon enough, he transferred to U.C.L.A. and hit the Los Angeles coffeehouse and steakhouse circuit.
One Sunday morning in the early '70s, a youngster in Cleveland caught an earful of Van Morrison's Astral Weeks and his life was never to be the same. That kid was Marc Cohn and soon after that morning, he bought everything Morrison had released to date, along with works by Joni Mitchell and Jackson Browne. Not long after an older brother taught him a Ray Charles tune on the piano, he joined a cover band, Doanbrook Hotel. He sang with them from junior high school until he left home for Oberlin College.
Born on July 5, 1959, Cohn was raised in Cleveland, Ohio. Orphaned as a youngster, he was barely out of infancy when his mother died; his father died ten years later, when Cohn was 12. As a teenager in the 1970s Cohn was inspired by the plaintive voices of his generation, idolizing Van Morrison, Joni Mitchell, Jackson Browne and especially Paul Simon, whose music, Cohn says, can bring him to tears. Cohn learned to play guitar and started writing songs when he was in junior high school, playing and singing with a local band called Doanbrook Hotel. While attending Oberlin College in Ohio he taught himself to play the piano, then after transferring to the University of California at Los Angeles began to perform in the intimate coffeehouse and steakhouse venues popular in that locale.
Releasing three albums during the 1990s, singer and songwriter Marc Cohn's emotionally stirring compositions and his easy, lilting baritone earned him a following as a musician's musician. When he first appeared on the music scene as a newcomer in the 1980s he was classified as a pop artist, although his music skirted the popular folk tradition of earlier decades, picking up neatly where the balladeers of the 1970s left off.
While best known as the longtime frontman for Chicago, singer Peter Cetera also enjoyed success as a solo performer. Born September 13, 1944 in the Windy City, Cetera was in a band called the Exceptions when in late 1967 he was recruited by another aspiring group, then called Chicago Transit Authority,
After a successful run with the group, mutual musical differences led to a parting of the ways. Cetera then realized a life-long ambition and launched his career as a solo artist. He won immense popularity and critical praise with his debut solo album, Solitude/Solitaire, which has the unmistakable sound and romantic intensity he has been polishing his entire career.
While best known as the longtime frontman for Chicago, singer Peter Cetera also enjoyed success as a solo performer. Born September 13, 1944 in the Windy City, Cetera was in a band called the Exceptions when in late 1967 he was recruited by another aspiring group, then called Chicago Transit Authority, to play bass
Born and raised on the South Side of Chicago, Peter Paul Cetera was born into a large family and learned how to harmonize around the house at a young age. Although he wanted to learn to play the guitar, his first instrument was the accordian, selected by his parents. At 14, he had just finished his first year in a seminary when a friend took him to his first concert. He immediately realized that this was where he wanted to be and went out and bought his first guitar.
Phil Collins' ascent to the status of one of the most successful pop and adult contemporary singers of the '80s and beyond was probably as much of a surprise to him as it was to many others. Balding and diminutive, Collins was almost 30 years old when his first solo single, "In the Air Tonight," became a number two hit in his native U.K. (the song was a Top 20 hit in the U.S.). Between 1984 and 1990, Collins had a string of 13 straight U.S. Top Ten hits.
Walt Disney asked him in to compose the songs to their latest animated feature "Tarzan", the resulting single, "You'll be in my Heart", was a major US hit and earned him a prestigious Oscar award. They even threw in another Grammy and a Golden Globe. He is currently working on three new Disney projects.
An unquestionably gifted musician, Collins first pursued an acting career, enrolling in a stage school with which his talent agent mother was affiliated. From here, he landed an uncredited extra role as a screaming fan in The Beatles' "A Hard Day's Night" (1964). He abandoned acting for many years to focus on music, but those who watched Collins' stage theatrics and hammy music video performances were not surprised when he began taking small guest acting parts
During the '80s, Collins balanced his continuing solo work with Genesis with enormous success. In 1992, Genesis released We Can't Dance and began an extensive tour. Upon its completion Collins released Both Sides in 1993, and the record became his first album not to produce a major hit single or go multi-platinum. In 1995, he announced that he was leaving Genesis permanently.
In Nov 82 his second album "Hello I Must Be Going" hit the number 2 spot, and provided him with a number one single, an uptempo cover of the old Supremes song "You Can't Hurry Love". Many old time Genesis fans found all this three minute pop song stuff hard to swallow, but the sales of both band and solo artist kept on rising. And as Collins once said "You don't wear the same clothes you wore ten years ago do you?" Some old Genesis fans obviously did.
Phil Collins' ascent to the status of one of the most successful pop and adult contemporary singers of the '80s and beyond was probably as much of a surprise to him as it was to many others. Balding and diminutive, Collins was almost 30 years old when his first solo single, "In the Air Tonight," became a number two hit in his native U.K. (the song was a Top 20 hit in the U.S.). Between 1984 and 1990, Collins had a string of 13 straight U.S. Top Ten hits.
While Collins was a capable and likable actor, he proved, from his hit love theme for "Against All Odds" to his moving song score for Disney's "Tarzan", that his most notable work in film made the most of his musical gifts. While he failed to score an Academy Award (losing to Stevie Wonder's "I Just Called to Say I Love You"), the track has proven more enduring than the film itself.
A natural performer Collins attended stage school, and was soon playing in London's West End as the Artful Dodger in the musical Oliver. The cheeky Cockney image from Dickens camenaturally and would stand him in good stead during his future successes. He soon formed a band called The Real Thing and played his first gigs.
Phil Collins' ascent to the status of one of the most successful pop and adult contemporary singers of the '80s and beyond was probably as much of a surprise to him as it was to many others. Balding and diminutive, Collins was almost 30 years old when his first solo single, "In the Air Tonight," became a number two hit in his native U.K. (the song was a Top 20 hit in the U.S.). Between 1984 and 1990, Collins had a string of 13 straight U.S. Top Ten hits.
With a remarkable combination of middle-of-the-road appeal and talent and vision that has produced some of the better music of his time, composer-singer-drummer-actor Phil Collins has made an indelible impact on the entertainment industry. Truly one of the hardest working men in show business, he has written for and performed with two legendary and vastly different bands, found great success as a solo artist and nursed a budding acting career, all at the same time.
While Collins was a capable and likable actor, he proved, from his hit love theme for "Against All Odds" to his moving song score for Disney's "Tarzan", that his most notable work in film made the most of his musical gifts. While he failed to score an Academy Award (losing to Stevie Wonder's "I Just Called to Say I Love You"), the track has proven more enduring than the film itself. As a vocalist, Collins dueted with Marilyn Martin with the Stephen Bishop penned 1985 hit "Separate Lives" from "White Nights".
"Both Sides" from Nov 1993 was very much a solo album with Phil playing all the instruments and wearing the producer's hat, it topped the UK charts but peaked at 13 in the US. Genesis then had their biggest ever album. 'We Can't Dance' sold over 15 million copies and they had so many hit singles that some older fans were hanging up their flares in horror. The resulting tour filled the worlds biggest stadiums, and maintained the position as the world's top live act.
While all of this solo success certainly kept Collins busy, it didn't keep him from his original band - Genesis. 1986 saw Genesis release the chart-topping album "Invisible Touch", an unprecedented success for the band, with five of the album's eight tracks becoming top selling singles. In the five years between "Invisible Touch" and Genesis' next release, 1991's "We Can't Dance", Collins released his fourth solo album, 1989's "...But Seriously", and earnestly tried his hand at an acting career.
For the Live Aid concerts of 1985, he played a set at Wembley Stadium, jumped on The Concorde and flew to America, where he played in the much anticipated but, as it turned out, very disappointing Led Zeppelin reunion. Even Phil couldn't work miracles. He did however stamp his mark all over the Band Aid single "Do They Know its Christmas".
Because of his unfaltering dedication to his craft and his place in Genesis, one of the most influential rock bands of the day, Collins managed to win both popular success and the respect of fellow musicians, hitting the top of the pop charts while also being called upon to perform with such modern legends as Eric Clapton, Sting, Robert Plant and Quincy Jones. His musical credibility and capability have served well many a film that has procured his songwriting services.
A natural performer Collins attended stage school, and was soon playing in London's West End as the Artful Dodger in the musical Oliver. The cheeky Cockney image from Dickens camenaturally and would stand him in good stead during his future successes. He soon formed a band called The Real Thing and played his first gigs.
Because of his unfaltering dedication to his craft and his place in Genesis, one of the most influential rock bands of the day, Collins managed to win both popular success and the respect of fellow musicians, hitting the top of the pop charts while also being called upon to perform with such modern legends as Eric Clapton, Sting, Robert Plant and Quincy Jones. His musical credibility and capability have served well many a film that has procured his songwriting services.
With a remarkable combination of middle-of-the-road appeal and talent and vision that has produced some of the better music of his time, composer-singer-drummer-actor Phil Collins has made an indelible impact on the entertainment industry. Truly one of the hardest working men in show business, he has written for and performed with two legendary and vastly different bands, found great success as a solo artist and nursed a budding acting career, all at the same time.
Guitarist, songwriter, and Texas native Ryan Cabrera never planned on a career in music. His hobby turned into a passion after hearing Dave Matthews, causing him to turn his back on the noisy punk rock of his high-school band, Caine, and pick up an acoustic guitar for the newly minted Rubic's Groove.
Ryan began writing and playing guitar from a very young age. He is no stranger to performing, as he opened and headlined at numerous premiere venues in Dallas, while still only in high school. Ryan opened for such bands as Sister Hazel, Nine Days, Wheatus, Dexter Freebish, and The Pat McGee Band. This soon spawned more extensive touring across the US. In pursuit of his musical career, Ryan left college behind and moved to LA a year ago.
Guitarist, songwriter, and Texas native Ryan Cabrera never planned on a career in music. His hobby turned into a passion after hearing Dave Matthews, causing him to turn his back on the noisy punk rock of his high-school band, Caine, and pick up an acoustic guitar for the newly minted Rubic's Groove.
Simple Plan is a pop/rock band that came about in stages that began with the formation of the Canadian band Reset, in 1995, by high-school friends Pierre Bouvier, Charles-André (Chuck) Comeau and Adrien White. Reset toured around Canada with bands such as MxPx, Ten Foot Pole, and Face to Face, but only managed to gain modest popularity.